Trades and Manufactures. (Part of entry)
Artificial Eyes and Limbs (Part of entry)
... There are half-a-dozen makers of "eyes," human and otherwise, the chief being Messrs. Pache and Son, Bristol Street, and Mr. Edward Hooper, Suffolk Street, who hold the almost unique position of being the sole known makers of artificial human eyes anywhere. Few people would imagine it, but it is said that there are at least 1,500 persons in Birmingham who carry glass eyes in their head; while the demand from foreign countries is something enormous, the United States taking the lead as they fain would do in everything. But there is no part of the civilised world, from Spitzbergen to Timbuctoo, where Birmingham made eyes are not to be seen, even the callous "heathen Chinee" buying them in large quantities. Naturalists and taxidermists find here eyes to match those of any creature that has lived and breathed, and "doll's eyes" are made by the ton.
Buttons. (Part of entry)
The earliest record of button-making we have is dated 1689, but Mr. Baddeley (inventor of the oval chuck), who retired from business about 1739, is the earliest local manufacturer we read of as doing largely in the trade, though sixty or seventy years ago there were four or five times as many in the business as at present...
..."Maltese buttons" (glass beads mounted in metal) were, in 1812, made here in large quantities... .... There are 265 button manufacturers in Birmingham, of whom 152 make pearl buttons, 26 glass, 8 horn and bone, 14 ivory, 12 gilt metal, 3 wood, and 5 linen, the other 45 being of a mixed or general character, silver, brass, steel, wood, and papier maché, being all, more or less, used. Nearly 6,000 hands are employed in the trade, of whom about 1,700 are in the pearl line, though that branch is not so prosperous as it was a few years back.
Glass
The art of painting, &c. on glass was brought to great perfection by Francis Eginton, of the Soho Works, in 1784. He supplied windows for St. George's Chapel, Windsor, Salisbury and Lichfield Cathedrals, and many country churches. The east window of St. Paul's, Birmingham, and the east window of the south aisle in Aston Church, are by Eginton. One of the commissions he obtained was from the celebrated William Beckford, Lord Mayor of London, for windows at Fonthill, to the value of £12,000. He was not, however, the first local artist of the kind, for a Birmingham man is said to have painted a window in Haglev Church, in 1756-57, for Lord Lyttelton, though his name is not now known. William Raphael Eginton (son of Francis) appeared in the Directory of 1818, as a glass-painter to the Princess Charlotte, but we can find no trace of his work. Robert Henderson started in the same line about 1820, and specimens of his work may be seen in Trinity Chapel; he died in 1848. John Hardman began in Paradise Street about 1837, afterwards removing to Great Charles Street, and thence to Newhall Hill, from which place much valuable work has been issued, as the world-known name well testifies. Engraving on glass is almost as old as the introduction of glass itself. There is a beautiful specimen in the Art Gallery. Glass flowers, fruit, &c., as ornamental adjuncts to brassfoundry, must be accredited to W. C. Aitken, who first used them in 1846. American writers claim that the first pressed glass tumbler was made about 40 years back in that country, by a carpenter. We have good authority for stating that the first pressed tumbler was made in this country by Rice Harris, Birmingham, as far back as 1834. But some years earlier than this dishes had been pressed by Thomas Hawkes and Co., of Dudley, and by Bacchus and Green, of Birmingham. No doubt the earliest pressing was the old square feet to goblets, ales, jellies, &c. Primitive it was, but like Watt's first engine, it was the starting point, and Birmingham is entitled to the credit of it. It is very remarkable that none of the samples of Venetian glass show any pressing, although moulding was brought by them to great perfection. It would not be fair to omit the name of the first mould-maker who made the tumbler-mould in question. It was Mr. James Stevens, then of Camden Street, Birmingham, and it is to him, and his sons, James and William, that the world is greatly indebted for the pressing of glass. The older Stevens has been dead some years, and the sons have left the trade. Previous to this mould being made for tumblers, Mr. James Stevens made some pressed salt-moulds to order for an American gentleman visiting Birmingham. Some of the most beautiful works in glass fountains, candelabra, &c., that the world has ever seen have been made at Messrs. Oslers, Broad Street, whose show rooms are always open to visitors.
Looking-glasses.
Messrs. Hawkes's, Sromsgrove Street, is the largest looking-glass manufactory in the world, more than 300 hands being employed on the premises. A fire which took place Jan. 8, 1879, destroyed nearly £12,000 worth of stock, the turnout of the establishment comprising all classes of mirrors, from those at 2. a dozen to £40 or £50 each.
Obituary.
The following short list of local people of interest may not be an unacceptable addition to the many whose names appear in various parts of the preceding work:
EGINGTON, F., an eminent painter on glass, died March 25, 1805, aged 68.
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